Hi Lois,Thanks to Jean Elton for your generous donation to our school auction. We are so grateful to have one of your beautiful vases to offer. Trying to fund artistic programs is difficult these days to say the least. We are so fortunate to have businesses such as yours who care about the children!Stay tuned for more information after we hold our event. We have many wishes for our Greenspace Art Center and you will help them come true!Thanks again.Ty MurrayPTC Co-chairMt. Holly Elementary SchoolMt. Holly, VT
What is a pugmill?
You've heard us mention using our pugmill. You've even seen pictures of us using our pugmill. But what exactly is a pugmill?
A pugmill is essentially a machine that mixes materials with a liquid. In pottery, it can be used with clay to achieve the consistency that you are looking for. It is helpful because it means that leftover clay need not be thrown away, but just stored for later use. When stored for any period of time, the clay will start to dry out. Thus, a pugmill is used to mix the dried out clay with water to make the clay soft and workable again.In our pottery studio, we always have a huge pile of clay leftover from our projects, whether from pressing, building large bowls, or working on the wheel. So some days become "pugging days". Pugging clay doesn't take long, but we allow each batch about 15 minutes to churn. You wouldn't think it, but the pugmill can hold 4-5 bags of clay!
Then depending on how dry the clay is, we'll add several cups of water.
Next, we close the top, flip the lever to "mix", and let it do its thing!
Finally, after we've allowed ample time for mixing and churning, we flip the lever to "extrude" and out comes the newly softened clay!
If the clay is soft enough, it is ready to be used again. If not, it can be put back through a pugmill cycle.
March Featured Items
As it is the first of the month, we have added some new featured items to our website! If you've been following us on Facebook or Twitter, you would have seen many of the items on there in the process of being made. If not, check out the following gallery for before and after photos of some of our March Featured Items. Not all of the "before" pictures are the same piece as the "after" picture, but we hope it gives you an idea of the process.
The Cleverest Cheese
Our Jean Elton company party was a success, from the "JE" brie cheese to party favors.
Kathy made a "JE" brie cheese, especially for the occasion. Don't we have a talented group of people here?
Everyone in attendance got to choose their favorite piece of Jean Elton art!Doesn't Alan look happy with his Sail Vase?
Of course, we used Jean Elton serving bowls!
Lois, Adriana, and Rex!
Overall, a good time was had by all! We enjoyed the dishes, the party favors, and the cheese, but mostly we enjoyed the company.
My Story
Hi, my name is Amy and I am the manager of this blog and writer of most of the posts on it. I am also the daughter of the founders of Jean Elton Studio & Gallery and have been using their products all my life. Now I have a home of my own, and guess what? I still use the dishes every day! And not just the dishes. Pretty much everywhere you look in my house, you will see evidence of Jean Elton.My parents have encouraged me to write up a profile of myself (as we started doing and want to continue doing with everyone involved in the company), but instead (for now), I thought I'd just post a few pictures of how I use Jean Elton dinnerware and home decor in my home.
So as you can see, nearly 30 years of using Jean Elton dishes has not soured me on them. In fact, with all the new designs and colors, I'm more excited about them now than I ever was!
Upcoming JE Party
Our Jean Elton dinnerware is perfect for everyday use, but also can be dressed up beautifully. For an upcoming company party, we used the dishes on several different tables as you can see in the gallery below. Each table is set with a different color and design of dishes, with matching glassware and linens.
We'd love to hear about your experiences with Jean Elton dinnerware. How do you display them? Do you use them everyday, or just for special occasions?
Making of Plates
Jean Elton has its own line of plates that are glazed in a wide variety of colors and designs. But the process from just an idea of a plate to beautiful, hand-painted one is long. It begins with an idea, then a drawing, then a complicated process that turns a drawing into a three-dimensional physical object. That object is then used to create plaster molds, which allow us to replicate the plates over and over again (as you can see in the video below).
Not for display only!
Recently a woman purchased a set of Jean Elton's hand-painted dishes and brought them home to put them on display. Her young son was so excited to see them and immediately asked if they could be used for dinner. "No!" She answered. "Those are too nice to use, they are only for display!"Her son was so disappointed. "Why is it all the nice things in this house are only for display?"While she was right that Jean Elton hand-painted dishes are lovely for use on display, they are durable enough to be used every day! And if you'd like to see the whole process, check back in a few days for a video of the making of the plates, from start to finish.
"I just LOVE the mugs"
You've seen how the mugs are made, but do people actually enjoy using them? Don't take our word for it, take Sandra's, an avid fan of Jean Elton, especially the mugs.
I just LOVE the mugs – they are the BEST I have every owned – from a drinking perspective, and art form – they are simply the BEST and everyone should own a set of these......Love them!!!!
Jean Elton through the Decades: The 70's
Their journey with clay began in Lawton, Oklahoma, in 1973, where Lois and Bill fell in love with pottery. They learned there was to be a class at the military rec center on pouring molds by an instructor who had an MFA in pottery. Upon arriving at the rec center, however, they were disappointed to learn the class was not on pouring molds, but on using the potter's wheel. But Providence intervened because their whole lives changed that night. They loved working on the wheel and they spent many nights and every weekend at that rec center to learn more. While Bill continued working on the wheel, Lois began hand-building slab teapots. Looking back now, she says, "They were hysterical!"In 1974, they moved to Heilbronn, Germany. They had a small wheel installed in their kitchen, so they could continue what was then only a hobby.
They also had a small updraft kiln on their balcony, which they had shipped from the States. The kiln used two propane tanks, located on the ground below. The tanks were intended for home heating, but when they were used for firing a kiln (which used the gas at a much faster rate), the tanks would freeze over, even in warm weather. Bill would have to jump over the balcony to keep switching which propane tank the kiln was connected to, in order to keep the other tank from freezing.The pictures below show some of their work while in Germany.
Finally, in 1977, they returned to Lawton, Oklahoma where Jean Elton Studio was born. "Jean" for Lois's middle name, and "Elton" for Bill's. The Studio was their first child, an intermingling of their ideas and creativity, and of course, their mutual love of pottery. They displayed their work in a small gallery in Lawton, as well as the "Quadrangle", a gallery in Dallas (see photos below). Lois remembers that at one point, there was a break-in at the gallery in Lawton. The only items stolen were a painting and a piece of her pottery. "That was kind of flattering!" she says now. The thief had good taste!
In 1978, they moved to Quechee, New Hampshire and Jean Elton had a gallery on Main Street. They shared the gallery with a well-known painter and selected which paintings would appear in their gallery from her home. While there, they also selected several photographs taken by the painter's husband. Years later, he was featured as one of the "Seven New Prominent Artists in New England" at the Hopkins Center for the Arts. He credited Jean Elton Studio and Gallery with his discovery.Then in 1979, they moved to Hanover, New Hampshire. They made friends with the Margolises, who allowed them to use their basement as a pottery studio. Around that time, Lois began feeling insecure about her artistry. People wondered to her how she could be so feminine and delicate, yet create these large primitive pieces. Dr. Margolis noticed Lois's insecurity and told her the story, "From the Journal of a Leper", written by John Updike. He was trying to tell her that what people saw of her was not actually what she was on the inside.As you can see from the photographs below, they still have many of the pieces they made from Germany, Oklahoma, and New Hampshire. If you are familiar with their work from today, you can see the similarities and the differences. They have learned a lot over the years, but the pieces sitting in their kitchen today remind them from where they have come.
Keep checking back for a continuation of Jean Elton through the Decades: The 80's!